Have Horror comedies like ‘Stree 2’ and actioners like ‘Pathaan’ taken centrestage at the box office? Has Bollywood stopped making romances like DDLJ? ETimes analysis | Hindi Movie News – Times of India

Have Horror comedies like ‘Stree 2’ and actioners like ‘Pathaan’ taken centrestage at the box office? Has Bollywood stopped making romances like DDLJ? ETimes analysis | Hindi Movie News – Times of India



Hindi cinema, or Bollywood as folks popularly name it, is understood for its song-and-dance and deep rooted tradition proven in our films. Love tales and romantic songs have been basically an enormous a part of our films. Nevertheless, in the previous couple of years, we have seen a significant shift whereby solely these large motion films have gotten in numbers on the field workplace. Infact, we see so many films based mostly on real-life incidents and significant cinema being made, however there is a shortage of fine love tales on-screen which may usher in these numbers.Although, final yr, we did see ‘Rocky Aur Rani Kii Prem Kahaani’ which did very nicely. Other than that, one has hardly seen any romantic film ring a bell in an enormous manner.
Paradoxically, we’re seeing ‘Dilwale Dulhania Le Jayenge‘ nonetheless operating in Maratha Mandir cinema, 30 years after its launch. Films like ‘Laila Majnu’ and ‘Rehnaa Hai Tere Dil Mein‘ have re-released and they’re drawing folks in theatres. So, then why do not we see newer love tales being made extra and attracting folks to theatres? One just lately witnessed that Ajay Devgn-Tabu starrer a lot anticipated love story, ‘Auron Mein Kya Dum Tha’ didn’t meet expectations on the field workplace. ETimes speaks to some trade insiders to dive into and analyse it. Discover out!

A Vicious cycle
Author-director Sajid Ali, whose movie ‘Laila Majnu’ re-released just lately, says he has no thought how the viewers is flocking again to theatres to see a movie which they’ve atleast seen. However speaking concerning the dearth of affection tales, he says, “I feel it is dependent upon the type of style folks have. It is cyclical. The issue is at any time when one thing works, everyone seems to be chasing the rabbit, until they kill the rabbit and they’re in search of the subsequent one. When comedy is working everybody desires to do comedy, when motion is working, folks need to try this. Proper now, horror comedies and motion films are working. There will likely be a section of romance after which the market will likely be saturated.”

Lack of connectivity
Dia Mirza whose movie ‘RHTDM’ with R Madhavan, Saif Ali Khan has re-released in cinemas and getting immense love until date, opines, “I feel there are three dimensions to why we do not see many love tales not working on the field workplace. One is concerning the writing. Most people who find themselves writing these love tales are from city centres like Mumbai and Delhi. However all of India just isn’t from Mumbai and Delhi. They’re writing concerning the swipe proper and swipe left. I feel these outdated romantic movies are working nonetheless as a result of they’re rooted in values and their music is cherished.”
Speaking concerning the lack of connectivity, Dia provides that these earlier films like DDLJ and RHTDM had been deeply rooted in Indian tradition and values. “I feel the core Indian values, the dialogues. The truth that Maddy would not contact Reena within the movie, though she would have been okay with it. The entire tune ‘Zaraa Zaraa’ performs out as one thing that he desires to occur however as a result of he is aware of he has lied to her. He is spending time together with her as a false identification. So, even one thing that’s fallacious, he’s preferred as a result of he would not cross the road. That can also be relatable.”

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Endurance and keenness to write down a love story!
Veteran producer Mukesh Bhatt, who is understood to supply a wide range of widespread love-stories like ‘Aashiqui‘, believes that love tales are made with all coronary heart and a variety of ardour. It is uncommon to seek out that as we speak. He stated, “Love tales have to come back from a coronary heart. You can not do knowledgeable job once you write a love story. In the present day, writers who’ve their coronary heart in the correct place to pen a love story, have gotten like white tigers within the jungle. It is extra tiring and exhausting to write down a love story than a thriller. Folks as we speak have fast fixes and and that does not work.”

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Vishesh Bhatt echoes this sentiment and provides, “I began my journey with films at a younger age, in a ‘just-out-of-school’ section in a movie known as ‘Raaz’. That movie being a supernatural movie had excellent music. From there my first movie as a co-producer was ‘Gangster’. It was such an intense love story which was superbly made. The music and story resonated in an enormous manner. I feel that primarily, even the primary movie I had written, which was ‘Jannat’, it was on the backdrop of cricket however the music resonated with folks. These movies had been made with a variety of ardour and time, they weren’t fast repair films. Good evergreen tales want effort and time. It is not very to provide you with films which find yourself changing into cult classics. Even within the west, it takes time for a ‘Titanic’ to come back. There needs to be a powerful relationship of the 2 characters, not only a love curiosity.”

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Dearth of fine music which is a key important to a love story
Mukesh Bhatt cannot stress sufficient on the significance of fine music for a love story. He opines, “A romantic movie with out good music simply would not work. For those who look again on the historical past of Indian cinema, all these love tales had extra-ordinary music to turn into blockbusters – whether or not it was ‘Bobby’ or ‘Maine Pyar Kiya’ or ‘Qayamat Se Qayamat Tak’ or ‘Aashiqui’. Not many proficient to tackle good music, however I am gifted by God’s grace. I’ve completed about 70 films and a few might not have labored however the music of all of them has been spectacular. The music of Vishesh Movies has the blood stain of Mukesh Bhatt’s style of music.”
Dia additional provides, “Music transforms you to a different place. I feel it makes an enormous distinction. I am amazed to see that the youthful people who find themselves uncovered to all types of cinemas as we speak, within the city centres are going and watching movies like ‘Rehnaa Hai Tere Dil Mein’ as they’re re-releasing.”
Vishesh says that music is the widespread consider love tales that are cherished over time. “What’s widespread in films like ‘DDLJ’ or ‘RHTDM’, persons are going mad as a result of folks resonated with the songs of each these films. Folks bear in mind ‘Tujhe Dekha toh yeh Jaana sanam’, ‘RHTDM’ has that ‘Zaraa Zaraa’,” he expresses.

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Good high quality content material no matter the style
Sajid Ali feels that it isn’t a couple of love story or any style, however a movie made with a superb intent and keenness will at all times discover an viewers. “So long as you do good high quality work, irrespective of the style, one can find takers. There are such a lot of folks with so many assorted pursuits and tastes. India itself is a large market and even a small p.c of that turns into your purpose market. There’s a marketplace for all types of movies – large, small, mega finances and small tales with nearly faceless folks. It is best to simply know the movie you make and how much viewers are you targetting. So long as you give high quality, one can find the viewers,” he says.
He additional provides, “I by no means consider the target market. No matter story is coming to naturally or no matter pursuits me. I write, expertise it for myself and if there’s price, folks may even see what I am saying.”
An ideal movie must have a love story
Mukesh Bhatt superbly concludes this as he says, “You can also make a blockbuster movie however if you wish to make an incredible movie, it has to have a love story. You can not make an incredible movie with out a love story.”







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